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• Sales Rank: #3080743 in Books
  
• Brand: Baerenreiter Verlag
• Published on: 2010
• Binding: Sheet music

Vorwort Verzierungen Faksimiles Die Satzfassungen letzter Hand in der Abfolge des Originaldrucksvon 1751, BWV 1080,1-20 Choral: Wenn wir in höchsten Nöten sein BWV 668a Anhang 1:Die sicher oder wahrscheinlich gegen die Absicht Bachs in den Originaldruck aufgenommenen Stücke, sowie der nichtaufgenommene ältere Augmentationskanon des autographen Notenbandes Anhang 2: Aufführungspraktische Ergänzungen zu den beiden Spiegelfugen und Schluá der fragmentarischen Fuge Nr. 20 (Ergänzung vonDavid Schulenberg)

Customer Reviews

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19 of 21 people found the following review helpful.
Not just serious
By Galtee More
This, from September 1956 - on the Schnitger organ of St Laurenskerk, Alkmaar - was DG's first stereo recording and, up to a point, it shows. Helmut Walcha's approach to 'The Art of Fugue' uses the clarity and variety of colour offered by that instrument as well as the organ's inherent sustaining power to convey Bach's polyphony. On CD the microphones seem closer than became Archiv's habit in Alkmaar so the building gets less of a say than one might hope to hear at a live recital, but at least the 'drier' sound helps Walcha to articulate some of the jauntier contrapuncti, such as numbers 15, 16 and 17, without exaggeration or disrupting the tempo. (Some listeners have found a counterpart here to Glenn Gould's preferred piano sound, close and clear at all costs.)Within a day of finishing the 'Art of Fugue' recordings DG started work on Walcha's stereo survey of Bach's organ works and the first group of sessions almost inevitably included 'the' D minor Toccata and Fugue (BWV 565): these recordings are included on the second CD of this set. They share the close sound but even the two didactic Trio Sonatas invite Walcha to give a more extravert performance than the fastidious documentary approach which he adopts towards 'The Art of Fugue'. The later stages of the fugue in BWV 565 give much of the same whirling, semi-improvisatory impression that he produced in his mono 1947 recording, and there is a growing processional grandeur as Walcha drives the C major Prelude and Fugue, BWV 547, towards its conclusion.With the original LPs came a lavishly produced booklet in three languages containing, amongst other material, an extract from Erich Schwebsch's rather fulsome essay 'Spirit and Sound'. The absence of this from the CDs' documentation is not much of a loss, but Heinrich Husmann on the musicological problems, the notes about Wolfgang Graeser's work on 'The Art of Fugue' and the quotation from Graeser's 1924 essay might usefully have been retained for the CD liner although Martin Elste's new piece on both the music and the significance of this recording is clear and helpful. Sadly the commentary by Walcha himself 'About my Interpretation' with notated examples from most of the fugues has also been discarded.

0 of 0 people found the following review helpful.
I felt like getting what I could find of Walcha's recordings -which ...
By Djeff from France
I was offered the Lp Mono version of this recording when I was in my early teenage.....and it was as if a new world was opening before me.!...Years elapsed, I am an organist myself, etc...and of course I became acquainted with lots of other famous names, among which Marie-Claire Alain and Lionel Rogg rank high.Last month, I found : " https://www.amazon.de/Helmut-Walcha-lumi%C3%A8re-Joseph-Coppey/dp/2849601330/ref=sr_1_63?ie=UTF8&qid=1477152726&sr=8-63&keywords=helmut+walcha" on Amazon.de (if you don't mind reading French ! ), and I found this fabulous book, which seems to be the only one about him, from his birth to his death,with lots of pictures,anecdotes, etc....MESMERIZING !...(There also exists a German version, but it seems out of print.....), Then,after having nearly spent a complete night reading the book, I felt like getting what I could find of Walcha's recordings -which incidentally sometimes sound as if they had been made last year ( ! ! ), thanks to some FABULOUS remastering techniques.......So much so that I've now got THREE "Art of Fugue" boxes, by Helmut Walcha, Lionel Rogg and Marie-Claire Alain. And the conclusion is that Walcha GAVE BIRTH to a new generation of Organists, thanks to his "brushing up" of Romanticism in Bach's Organ works...He may have been a little rigid, sometimes, but a new era became with him ! Let's thank him for that......and RUSH for this Kunst der Fuge Box as long as there remain some !

3 of 4 people found the following review helpful.
Art of Fugue on organ
By Dr R Macpherson
The Art of Fugue lends itself to many different instrumentations but keyboard in probably what Bach intended: this disc shows the advantages of using an organ -clear lines, audible held notes, etc Essay in booklet better than most, with persuasive argument for order chosen. Not tne only way of playing this inexhaustiblemusic, for there is no "only way," but certainly a disc I shall keep with my collection of other interpretations.

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